My parents have a photograph of an ancestor – a woman, who
according to family lore is a Pembina Ojibwe.
I wanted to find out more about
her, so I started working on our genealogy.
But...
You know the game of ‘telephone’? It’s where there’s a line or
circle of kids, and the first one whispers a phrase to the kid next to him, and
that kid repeats the phrase to the next kid in line, and on and on until at the
end, the whispered phrase is revealed by the last kid in line, and it’s nearly
always completely different than when it started out.
Turns out our info about the photograph was like that.
Long story short, the woman in the photograph was actually
named Lucy, and she had emigrated from France
in the early 1820s. She was running a tavern in Prairie du Chien , her first
husband deceased by the time my great-great-great grandfather Louis Desmarais
met and married her. They moved to St. Paul
around 1850.
Anyway, it was Louis’s mother who was Ojibwe. His father was
French-Canadian.
Meanwhile, I’d been looking for information on this Pembina ancestor,
and though I couldn’t find anything about her (yet!) I learned about the
importance of Pembina and the ox cart/Red
River trails in the 1800s. It was
fascinating stuff. Here was a significant part of Minnesota
and North Dakota history that I
had never heard about in school, even though I grew up in Minnesota .
This eventually led to my writing Ox Cart Angel. I haven’t
yet found my great-great-great-great Ojibwe grandmother, but the search led me
to thirteen-year old Claire – a Métis girl – her photographer father Xavier,
and a one-horned ox named Bonebag. I sometimes think of Claire’s mother as my g-g-g-g-grandmother.
She’s a big part of the story, but only through the fading memories of her
child.
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